“…and Words on Music: Transcribed Text as Basis for Musical Composition”

in Post-in-progress: Revista do Fórum Internacional em Estudos de Música e Dança (5), UA Editora.

ABSTRACT

This investigation dwells on a composition support, or aid, as a methodology of transcription and codification of text, in an exploration of cryptographic examples and processes in music and how these results can be used as musical material to be developed artistically and creatively.

KEYWORDS

music, text, composition, cryptography, creative process

REFERENCES

Bruhn, Siglind. 1998. Encrypted Messages in Alban Berg’s Music. New York and London: Garland Publishing, Inc.

Cardoso, Amílcar, Ângela Coelho, and Pedro Martins. 2016. “A Musical Sonification of the Portuguese Epopee”. MUME 2016 – The Fourth International Workshop on Musical Metacreation. CISUC, Informatics Engineering Department, University of Coimbra.

González, Veronica, and Rudolf Seising (Eds.). 2012. Soft Computing in Humanities and Social Sciences. Berkeley:Springer.

Jarman, Douglas. 1979. The Music of Alban Berg. Berkley and Los Angeles: University of California Press.

Mautner, Jorge. 1962. Deus da chuva e da morte. Brasil: Matins.

Murray, Lucy Miller. 2015. Chamber Music: An Extensive Guide for Listeners. United States of America: Rowman & Littlefield.

Perle, George. 1985. The Operas of Alban Berg: Lulu. California: University of California Press.

Poppe, António. 2012. Livro da Luz. Portugal: Documenta.

Sampaio, Cláudia. 2018. Outro nome para a solidão. Portugal: Douda Correria.

Shenton, Andrew. 2008. Olivier Messiaen's System of Signs: Notes Towards Understanding His Music. New York: Ashgate Publishing.

Sweet, Michael. 2015. Writing interactive music for video games: a composer’s guide. United States of America: Pearson Education, Inc.